30 October 2024, 6:30–9pm
Come test a live studio show featuring chats, performances, music, screenings, and sculptures where artists explore alternative ways of being, working and exhibiting.
This could be the first, and last, chance.
26 October 2024, 12pm
Read and discuss Derek Jarman's surreal, fabular and lyrical fiction title Through The Billboard Promised Land Without Ever Stopping in the context of the exhibitions by Yuri Pattison and Liliane Puthod at Dublin Port.
10 October 2024, 5pm
A special thesis launch from NCAD's Art in the Contemporary World Master's Programme with readings from student's research topics on heterotopic spaces.
06 October 2024, 11am–2pm
A Renault 4 Gathering and special talk from R4 enthusiast Richard Watchorn as part of the event programme accompanying Liliane Puthod's Beep Beep.
06 October 2024
BodyWork (Part I) is the first of a series of public events as part of Liliane Puthod’s ongoing research around the effects of work on the corporeal body through the lens of archaeology, sociology and technology.
03 — 12 October 2024
An immersive walking tour of Dublin Port's vibrant visiting historic sites including a trip to Longest Way Round, Shortest Way Home at The Pumphouse for Dublin Festival of History.
28 September 2024, 12pm
An informal talk discussing art, history and place alongside Longest Way Home, Shortest Way Home at The Pumphouse.
21 September 2024, 12pm
Join us for an introduction to Longest Way Round, Shortest Way Home at The Pumphouse, Dublin Port.
20 September 2024, 2–7pm
Drop in and join artists Jialin Long and Paula Erraught for a workshop exploring the themes of the public artwork Landmark as Witness.
20 September 2024, 4–7pm
Join us at The Pumphouse, Dublin Port, for special evening tours of Longest Way Round, Shortest Way Home.
20 September 2024
An immersive walking tour of Dublin Port's vibrant visiting historic sites and the exhibition Longest Way Round, Shortest Way Home at The Pumphouse in celebration of Culture Night.
17 September 2024, 6–8:30pm
Join Diana Copperwhite and Thomas Lordan for the second in a two part series of talks on new thinking and ideas on expanded painting practice and metamodernism, organised and moderated by Karen Ebbs.