Aileen Murphy approaches painting and its history with care and a playfully disobedient spirit. Her large-scale paintings, drawings, and collages explore the body, humour, psychological states, and fantastical imagery. She layers motifs, forms, and techniques in ways that blur boundaries between figuration and abstraction.
Niamh O'Malley is works with moving image alongside sculptural materials including glass, wood, metal, and stone. Through objects and recorded fragments, she produces material and physical gestures that revive and reanimate a form, an architecture, or a moment. Her works gesture towards enabling or offering protection, conveying sensations of touch, and more – of grabbing, holding, or caressing surfaces, offering a moment of tether and precarious poise.
Working primarily in sculpture, Joanne Reid’s work often begins as an intuitive response to materials, objects and spaces that form our built environment. Reid’s material vocabulary draws primarily from the urban environment and construction sites, often using steel, plywood, timber, plaster, and concrete. Reid is interested in our desire to reproduce the natural world and the history of ornament in architecture and is influenced by art historical compositions, such as the still life.
Eoghan Ryan works across moving image, installation, performance, puppetry, and collage to explore how power circulates socially and through mediated culture. His process involves sustained periods of editing and documentation focused on specific people, sites, objects, or songs, developing fable-like reflections on the collective and the personal as institutions. These institutions range from states of being and nation-states to the cultivation of provisional culture, in art as in bacteria.